FF Tisa Goes Sans

It's been five years since FF Tisa's release. To follow-up, Mitja

https://m.fontke.com/article/8835/

ScreenFonts: Fast & Furious, The Escapist, Crank: High Voltage, State Of Play, Obsessed

In ScreenFonts I always try to have a mix of mainstream movies an

https://m.fontke.com/article/1257/

Making Initial Letters Part II: Dropped Initials

Both raised initials and dropped initials can add gusto to a webs

https://m.fontke.com/article/21911/

Justfont：“革命年代的字型：俪宋”

以向量描绘，俪宋的“一”Type is Beautiful 今起与 Justfont 内容合作，将定期刊登 Justfont 精品

https://m.fontke.com/article/7301/

TypePro: Shanghai 2016

活動介紹Monotype（蒙納）公司將於九月三日與上海同濟大學設計創意學院，舉辦「TypePro: Shanghai 2016」國際字體研討會活動，屆時著名的 Monotype GmbH 字體總監、《西文字體1、2》作者小林章先生（Akira Kobayashi）、Monotype 香港總設計師許大鵬先生和 Monotype 英國字體設計師大麴都市先生（Toshi Omagari）將會分享歐文、漢字和國內少數民族語言字體，背後的設計理念、構思、實作經驗及字體設計師生活內的各種挑...

https://m.fontke.com/article/24461/

ScreenFonts: District 9, The Time Traveler's Wife, It Might Get Loud, Inglourious Basterds, Art & Copy

I noticed something while gathering the posters for this episode

https://m.fontke.com/article/1613/

Avenir：设计土壤变化与字体风格复兴

日本设计大师原研哉在他的名著《设计中的设计》和《欲望的教育》说道“必须让设计土壤肥淆，好设计才得以健康生长”，感觉这比喻放诸字体设

https://m.fontke.com/article/6473/

Focus On FontStructors – Peter De Roy (typerider)

This is the seventh in our series of mini-​interviews with FontSt

https://m.fontke.com/article/1722/