Grotesque of Our Age
本文是前几个月的一篇杂志约稿，由于各种原因未能出版。现在贴出来，以飨读者。文章探讨了早期非衬线体的历史和特点，以及现在的保存和发展
https://m.fontke.com/article/2817/
The design of a signage typeface
The story begins in 2006 with a trip down Route 66. Day in, day o
https://m.fontke.com/article/7379/
ATypI'08 | Typophile Film Fest 4
Last September 19th – at ATypI'08 – The Old and The New in Saint
https://m.fontke.com/article/952/
ScreenFonts: The Words, Francine, The Master, Dredd, Solomon Kane, Looper
Fortunately it only happens rarely, but after my ScreenFonts seri
https://m.fontke.com/article/9413/
Akira Kobayashi on FF Clifford
To coincide with our newsletter featuring the work of Akira Kobay
https://m.fontke.com/article/293/
FF Tisa Goes Sans
It's been five years since FF Tisa's release. To follow-up, Mitja
https://m.fontke.com/article/8835/
ScreenFonts: Public Enemies, Brüno, I Love You Beth Cooper, Soul Power, In The Loop
It's summer, the sun's out, and it's hot. While we Belgians have
https://m.fontke.com/article/1511/
ScreenFonts: Zookeeper, Horrible Bosses, The Ward, The Ledge, Crazy Stupid Love
Whoa, it looks like I have really arrived now. The previous insta
https://m.fontke.com/article/4578/
Avenir：设计土壤变化与字体风格复兴
日本设计大师原研哉在他的名著《设计中的设计》和《欲望的教育》说道“必须让设计土壤肥淆，好设计才得以健康生长”，感觉这比喻放诸字体设
https://m.fontke.com/article/6473/
My Type of Music: Brian Wilson, Metallica, Ne-Yo, Calexico, Tricky, The Chemical Brothers
From the onset it became clear that ScreenFonts a.k.a. Characters
https://m.fontke.com/article/729/
