Typography For Lawyers – The Book
Two summers ago I reported about Typography For Lawyers, the terr
https://m.fontke.com/article/4274/
The Story of Our Friend, the Fat Face
Early 19th-century advertising handbill from the John Soulby coll
https://m.fontke.com/article/14430/
Introducing & Building OpenType Collections (OTCs)
I would like to use this opportunity to introduce two new things.
https://m.fontke.com/article/14744/
Post-Halloween Special: Scary Type
Yeah yeah, I know what you're all thinking. "Oh no, just what we
https://m.fontke.com/article/846/
ScreenFonts: Trance, The Brass Teapot, 42, The Reluctant Fundamentalist
Fresh back from three consecutive conferences in as many countrie
https://m.fontke.com/article/11871/
FontBook, The Team Behind The New App
The new FontBook app is a group effort, developed by long-standin
https://m.fontke.com/article/4514/
Eric Gill 错了：重新评估 Gill Sans
作者/ Author: Ben Archer © 2007 (text and images)原载于/Original from:
https://m.fontke.com/article/845/
ScreenFonts: The Canyons, Planes, Lovelace, You're Next, The World's End, Getaway
This is my feverish attempt to ScreenFonts before I switch to the
https://m.fontke.com/article/13355/
TDC2 2010 – Text Faces
Now that I've covered the Type Systems, let's move on to the Text
https://m.fontke.com/article/2167/
中日韩统一表意文字
中日韩统一表意文字（英语：CJK Unified Ideographs），也称统汉字（Unihan），目的是要把分别来自中文、日文、韩文、越文中，本质相同、形状一样或稍异的表意文字（主要为汉字，但也有仿汉字如方块壮字、日本国字、韩国独有汉字、越南的喃
https://m.fontke.com/article/769/
