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ScreenFonts: Nightwatching, Kung Fu Panda, The Dark Knight, The X-Files
I can guess what the original intention for the poster for Czech
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The Adobe-Identity-0 ROS & Heuristics
I have advocated the use of the special-purpose and language-neut
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Erik Spiekermann One of 27 Innovation Ambassadors Drawing Up "Manifesto"
A group of designers, artists, researchers and inventors are work
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Almost Blue — Album Covers Inspired By Blue Note Records
This year My Type of Music series I've tried to find an angle to
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Tokyo TDC世界字体设计年赛于2014年18日在深圳开幕
中国深圳华·美术馆2014年首个大展——全球最受瞩目的字体设计赛事之一Tokyo TDC世界字体设计年赛展再度入驻华·美术馆于18
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The Edward Johnston Foundation's Tenth International Ditchling Seminar 2010
For people who can't make it to this year's TYPO Berlin in May th
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ScreenFonts: The Adjustment Bureau, Source Code, Trust, Madea's Big Happy Family, Fast Five
Whoa, did you hear that? That was the sound of January and Februa
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文字是我们在设计中不可缺少的重要元素，丰富的字库给设师提供了广阔的创作空间，我们在《 平面设计中的常用字库种类说明》中介绍了常用的字库，如GBK、PostScript、CID、TrueType字库等。 今天我们详细介绍一下印前输出中需要了解的字库知识。一、方正字库以及其在
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Focus on FontStructors – Goatmeal Recreates Classic Arcade Game Fonts
This is the fourth in our series of mini-interviews with FontStr
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关于字体的讨论，其实无论是国外还是国内，都已经有不少，可是我发现绝大部分的内容或者有失偏颇，或者不够全面，下面我试图将自己一段时间内的观点总结一下，以求提出一个比较容易接受的 CSS 字体选择的建议。事关大小字体的大小总是一个困扰人的问题，用绝对单位