TYPO London 2011: Places
This autumn London will host a spectacular new annual design conf
https://m.fontke.com/article/4689/
Tutorial: Photorealistic Perspective
Sometimes, flat just doesn't cut it, and we need to find other, m
https://m.fontke.com/article/253/
Reduced Registration For TYPO Berlin 2011 "Shift" Until December 31st, 2010
It is still quite a bit away, but TYPO Berlin 2011 "Shift" – whic
https://m.fontke.com/article/3084/
排版中的字体大小问题
以台式电脑而言，目前主流的字体都是属于矢量字体，也就是说它的字体资料储存的是数学计算数据，而不是实体的 bitmaps。在显示及打印时才马上计算成型来显示或打印的。这种字体的好处是可以几乎无限缩放，而不会造成锯齿状。但字的大小其实是一个迷思。为什么这么说呢
https://m.fontke.com/article/303/
Some initial Adobe-Japan1-6 versus UTR #50 thoughts…
UTC (Unicode Technical Committee) Meeting #136 took place last we
https://m.fontke.com/article/12730/
Three FontFonts Win At ISTD International TypoGraphic Awards 2009
The weekend before last Petra Weitz, the managing director of FSI
https://m.fontke.com/article/1838/
Looking Back On TYPO London 2011 "Places"
Just over a week ago TYPO London took place in Logan Hall and Jef
https://m.fontke.com/article/5157/
"L'Eau et Les Rêves", A Typographic Fountain In Vence
Another piece of typographic environmental art we saw on our vaca
https://m.fontke.com/article/2594/
ScreenFonts: District 9, The Time Traveler's Wife, It Might Get Loud, Inglourious Basterds, Art & Copy
I noticed something while gathering the posters for this episode
https://m.fontke.com/article/1613/
OpenType Collections—Redux
As described in last month's article, our tools engineer develope
https://m.fontke.com/article/15195/
