Hong Kong or Bust!—Redux
Although this article shares its title with an article from four
https://m.fontke.com/article/23122/
A Typographic Look Ahead At Rio 2016
As straight and angular as the London 2012 font by Alias was, as
https://m.fontke.com/article/9239/
BBC ONE launches new channel identity
BBC ONE has unveiled its new on-screen branding based around the
https://m.fontke.com/article/264/
Adobe reveals more on CS6 and Creative Cloud launch plans
Adobe has revealed that it will launch its Creative Cloud softwar
https://m.fontke.com/article/6496/
FontFont Focus: FF Good, FF More, FF Best!
One of the things the FontFont library is known for are its exten
https://m.fontke.com/article/6148/
Yearbook of Type Offers Overview of Recent Typographic Production
On the first day of Summer Typodarium, the typographic tear-off c
https://m.fontke.com/article/12590/
香港地铁宋：观察、再用与再生
无论品牌还是站内路牌，港铁一系列中英双语文字设计自1979年通车起便世界知名。其中对明体的广泛运用，至今也特立独行于其他汉字使用国家。港铁明体嫡传统为什么当年的地铁公司选用明体作为主字体呢？
https://m.fontke.com/article/6553/
ScreenFonts: The Other Guys, Step Up 3D, Scott Pilgrim vs. the World, The Expendables, The Switch, The Last Exorcism
And now it's the turn of ScreenFonts to be a little delayed. Well
https://m.fontke.com/article/2796/
苹果为何偷偷修改iOS 7的字体？
iOS 7 Beta 3如期放出，其中一个较为细微的可见变化是：系统字体从此前的Helvetica Neue Light改成了 H
https://m.fontke.com/article/7609/
Some Thoughts On Web Fonts by Stephen Coles
As promised, here is the first of two interviews used for The Fut
https://m.fontke.com/article/3392/
