小米狂捧自家小米兰亭字体，我却要吐槽一下格局
5月10日，小米发布了小米MAX大屏手机。发布会上，小米花了不少时间介绍自家的小米兰亭字体，强调自己是除了苹果、谷歌之外，全球第三
https://m.fontke.com/article/23914/
Focus On FontStructors – Tobias Sommer (shasta)
This is the sixth in our series of mini-interviews with FontStru
https://m.fontke.com/article/1579/
Reviving Caslon
Part 1: The snare of authenticityHow much should a revival of a t
https://m.fontke.com/article/2548/
Create Your Own "招財進寳" Glyph
ChineseWhen the Spring Festival comes, Chinese people have many t
https://m.fontke.com/article/968/
FontFont Focus: FF Franziska For Bündner Tagblatt
Type is a crucial element in the branding of a newspaper. It defi
https://m.fontke.com/article/16731/
A Firm Turn Toward the Objective: Josef Müller-Brockmann 1948–1981
In February of 1989, I had the pleasure of meeting Josef Müller-B
https://m.fontke.com/article/10405/
TDC2 2010 – Type Systems
I'm a bit torn. On Twitter I announced I wasn't entirely happy wi
https://m.fontke.com/article/2144/
ScreenFonts: Chronicle, Perfect Sense, The Innkeepers, Bullhead, Gone
Well, my trip and Typekit engineer and web developer webfonts in
https://m.fontke.com/article/6854/
The Story of Our Friend, the Fat Face
Early 19th-century advertising handbill from the John Soulby coll
https://m.fontke.com/article/14430/
日本字体设计师——小林章
小林章是日本一位著名的字体设计师。Akira Kobayashi是一个地位巩固的世界知名字体设计师。他种类广泛的字体作品包括了从展示字体、经典作品重修和许多套坚实的正文用字体这一完整范围。在过去20年间，他在众多字体竞赛中获得殊荣，为无数字体工厂设计字体，在日本教授
https://m.fontke.com/article/1456/
