2009 Penguin Design Award Winners
On June 8, 2009, Penguin announced the winners of the 2009 Pengui
https://m.fontke.com/article/1384/
FontCast #17 — Amman: The City, The Typeface, The Film
At the end of 2008 the young type designer and multimedia artist
https://m.fontke.com/article/2917/
Malabar, Premiéra, And Acorde Win At Joseph Binder Award 2010
It is starting to sound like a running gag – a good one, that is
https://m.fontke.com/article/3142/
Extra Bold, Ultra Black Fonts: Hit Hard with Heavy Duty Type
In an effort to get noticed, a lot of folks turn to the most obvi
https://m.fontke.com/article/355/
Face the Nation v2
对于 Rex 的文章，我有几点补充。爱尔兰：爱尔兰采用的 Gaelic script 是采用拉丁字母加上音调符号，基于中世纪的 h
https://m.fontke.com/article/2633/
Volksbühne Berlin Season Magazine 2013/2014
Photo: Florian Hardwig. License: CC BY-SA.Posted as an addendum t
https://m.fontke.com/article/13280/
Web与排版学上的字体问题
关于字体的讨论，其实无论是国外还是国内，都已经有不少，可是我发现绝大部分的内容或者有失偏颇，或者不够全面，下面我试图将自己一段时间内的观点总结一下，以求提出一个比较容易接受的 CSS 字体选择的建议。事关大小字体的大小总是一个困扰人的问题，用绝对单位
https://m.fontke.com/article/476/
Your 2011 Web Font Awards Judges' Choice Winners on Designing with Web Fonts
The dust has settled and the winners of the 2011 Web Font Awards
https://m.fontke.com/article/5291/
再也不纠结字体选择了！超全面的英文字体小结
字体于设计，如同气质于人。是温厚尔雅，谦谦有礼，还是活泼大胆，烧透一片，都是通过字体的结构来塑造的。只有了解每个字体的气质，才能将
https://m.fontke.com/article/7785/
ATypI 2010 Dublin: The Word – Keynote Addresses
Like I mentioned in my previous ATypI 2010 Dublin post, attendees
https://m.fontke.com/article/2838/
