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Version 1.5 Improves Typography in iBooks on iPad and iPhone

Version 1.5 Improves Typography in iBooks on iPad and iPhone

Late last Tuesday the new version 1.5 of What the iPad is Missing

https://m.fontke.com/article/5421/

Making Grifo

Grifo, the Portuguese word for griffin, a mythical creature wi

https://m.fontke.com/article/24422/

数字设计之美

数字设计之美

“我最喜欢 Akzindez Grotesk Light 的数字2,它犹如一只长颈天鹅。”——Erik Spiekermann印度

https://m.fontke.com/article/2934/

iOS9正式版发布:新字体成iOS 9最大槽点!

iOS9正式版发布:新字体成iOS 9最大槽点!

iOS9正式版发布:新字体成iOS 9最大槽点!今天凌晨,苹果正式推送了iOS9正式版,包括iPhone4s在内的机型都能够升级,

https://m.fontke.com/article/7773/

BBC ONE launches new channel identity

BBC ONE has unveiled its new on-screen branding based around the

https://m.fontke.com/article/264/

复古的苹果字体:与其产品一样简洁和经典

就算我们不是设计师又或是印刷工作者,也可以很轻易地通过某种企业字体来认识使用它的公司。但与此同时,企业字体对普通人来说也就那样,似

https://m.fontke.com/article/7124/

FontFont Focus: FF Good, FF More, FF Best!

FontFont Focus: FF Good, FF More, FF Best!

One of the things the FontFont library is known for are its exten

https://m.fontke.com/article/6148/

Back To The Eighties With Justice's DVNO

Back To The Eighties With Justice's DVNO

It's a disease. No really, I mean it. Whenever we see faces – typ

https://m.fontke.com/article/1180/

Styles, Weights, Widths — It's All in the (Type) Family

In a previous Type Basics piece we examined the difference betwee

https://m.fontke.com/article/998/