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Grotesque of Our Age

Grotesque of Our Age

本文是前几个月的一篇杂志约稿,由于各种原因未能出版。现在贴出来,以飨读者。文章探讨了早期非衬线体的历史和特点,以及现在的保存和发展

https://m.fontke.com/article/2817/

Helvetica字体设计的40个着名品牌

Helvetica字体设计的40个着名品牌

Helvetica,中文译为赫尔维提卡,由Max Miedinger(马克斯·米耶丁格)和Eduard Hoffmann(爱德华德

https://m.fontke.com/article/2410/

ATypI'08 | Typophile Film Fest 4

ATypI'08 | Typophile Film Fest 4

Last September 19th – at ATypI'08 – The Old and The New in Saint

https://m.fontke.com/article/952/

旧文:新“丑陋”潮与宜家字体

旧文:新“丑陋”潮与宜家字体

《032c》杂志。Image: Creative Review本文刊载于《艺术与设计》2009年11月期。该话题已经争议很多,本文

https://m.fontke.com/article/3158/

Celebrating 20 Years of FontShop With Erik Spiekermann

Celebrating 20 Years of FontShop With Erik Spiekermann

Starting up FontShop was only the beginning of Erik Spiekermann's

https://m.fontke.com/article/1910/

Three FontFonts Win At ISTD International TypoGraphic Awards 2009

Three FontFonts Win At ISTD International TypoGraphic Awards 2009

The weekend before last Petra Weitz, the managing director of FSI

https://m.fontke.com/article/1838/

Climbing Everest

"Designing Zapfino Arabic takes everything I ever learned about t

https://m.fontke.com/article/18931/

Making Fonts: SINDELAR

"Finally I found what I have been looking for – this typeface sui

https://m.fontke.com/article/19530/