Inside Paragraphs: Typographic Fundamentals Explores The Space Between The Characters

I have said this numerous times over the past few years – now is

https://m.fontke.com/article/10358/

ScreenFonts: Brothers, Up In The Air, Invictus, The Lovely Bones, Avatar, Sherlock Holmes

For this instalment of ScreenFonts I am about to do something I h

https://m.fontke.com/article/2005/

Jim Ford's Typographic Journey

Jim Ford describes designing a large typeface family as "a mounta

https://m.fontke.com/article/16827/

U&lc Volume Twelve: The Danger of Predictions

Ed Gottschall's editorial column in Volume Twelve number One of U

https://m.fontke.com/article/4846/

BBC's Great Expectations Wins 2012 Emmy Award For Outstanding Main Title Design

This weekend the Academy of Television Arts & Sciences presented

https://m.fontke.com/article/9064/

The Swash Font Feature

When it comes to visual enhancements, swash characters can add a

https://m.fontke.com/article/22761/

字体设计基础（10）比例

Proportions. Which x-height to define? Which descender depth? Defining these proportions are essential, and very strongly connected to the purpose of the type. The proportions within a certain typeface are influencing the way your type will work &

https://m.fontke.com/article/1356/