Web字体的现状与未来
有关 Web 字体的话题正在增多，对 Web 设计师来说，他们并不关注技术细节，不管是 TrueType 的 Hinting 技术，还是 OpenType 的 Permissions Tables，他们关心的是我如何在网页中使用某款字体。 7月14日至
https://m.fontke.com/article/2881/
香港地铁宋：观察、再用与再生
无论品牌还是站内路牌，港铁一系列中英双语文字设计自1979年通车起便世界知名。其中对明体的广泛运用，至今也特立独行于其他汉字使用国家。港铁明体嫡传统为什么当年的地铁公司选用明体作为主字体呢？
https://m.fontke.com/article/6553/
ScreenFonts: Precious, Pirate Radio, The Messenger, Women In Trouble, The Road
The problem with being that late with the previous episode of Scr
https://m.fontke.com/article/1959/
Foundry Focus: Fontsmith
Fontsmith is a leading London-based type design studio founded in
https://m.fontke.com/article/4227/
Biome — the making of a typeface
A biome in nature is essentially an ecosystem. It's also the name
https://m.fontke.com/article/2479/
My Type of Music: Rick Ross, Sheryl Crow, Actress, Tracy Bonham, Tom Jones, Danzig
I know I announced I would include the last albums of July in the
https://m.fontke.com/article/2591/
The Last Word on Helvetica?
Perhaps this article should have ended at the question mark in it
https://m.fontke.com/article/20200/
ScreenFonts: The Adjustment Bureau, Source Code, Trust, Madea's Big Happy Family, Fast Five
Whoa, did you hear that? That was the sound of January and Februa
https://m.fontke.com/article/3981/
An Interview with Zuzana Licko
Zuzana Licko co-founded Emigre — one of the first independent dig
https://m.fontke.com/article/123/
FontBook, The Team Behind The New App
The new FontBook app is a group effort, developed by long-standin
https://m.fontke.com/article/4514/
