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Peter Bilak 与 Satya Rajpurohit:印度字体设计访谈

Peter Bilak 与 Satya Rajpurohit:印度字体设计访谈

采访/Interviewer:Dirk Wachowiak受访/Interviewee:Peter Bilak、Satya Raj

https://m.fontke.com/article/3664/

TDC2, The Oscars Of Type Design

TDC2, The Oscars Of Type Design

Last weekend the Academy of Motion Picture Arts and Sciences pres

https://m.fontke.com/article/2124/

"Designing Screen Fonts with FontStruct" Workshop At HfG Gmünd

We reported a while ago that Typerider – who teaches Graphic Desi

https://m.fontke.com/article/1949/

One Hel(vetica) of a Story

It is hard not to simply gush about Paul Shaw's Helvetica and the

https://m.fontke.com/article/13737/

Focus On FontStructors – Ata Syed (thalamic / minimum)

Focus On FontStructors – Ata Syed (thalamic / minimum)

For the fifth in our series of mini-​interviews with FontStruc­to

https://m.fontke.com/article/1540/

很多人问我字体设计的过程是怎样的,看这个就明白了(一)

很多人问我字体设计的过程是怎样的,看这个就明白了(一)

多人问我字体设计的过程是怎样的,我一般就简单的说先手绘然后钢笔勾。其实也就是这样。重要的是你要有满意的手绘稿,然后再加上满意的后期软件处理。这个过程可 

https://m.fontke.com/article/3530/

FontBook, The Team Behind The New App

FontBook, The Team Behind The New App

The new FontBook app is a group effort, developed by long-standin

https://m.fontke.com/article/4514/

从IFutura到Verdana—看宜家字体的改变

全球最大的家居连锁宜家家居(IKEA)更换了自己的字体,从原先的IKEA-Sans(基于Futura)改成Verdana。瑞典民间

https://m.fontke.com/article/3167/