TDC2 2009 | The Display Faces

Discovering the winners of the TDC2 Certificates of Excellence in

https://m.fontke.com/article/1073/

ATypI Amsterdam 2013

This year I attended the full programme at ATypI 2013 Amsterdam "

https://m.fontke.com/article/13533/

字体设计：拉丁字母字体书写方法分类

本文主要拉丁字母中各种字体的书写方法，包括罗马字体，哥特字体，手写字体，装饰字体等1、罗马字体——罗马字体又分为老罗马字体和现代罗

https://m.fontke.com/article/23319/

新时代，新字体 / Martin Majoor 和 FF Scala

Martin Majoor，荷兰字体设计师，平面设计师，（1960年10月14）在读大学之前就已经接受多年的字体设计和字体排印专业

https://m.fontke.com/article/3327/

Britain By Bike "Book Of The Year" At BPIF Book Awards

We've all known for long that the mid-90s mantra Print Is Dead is

https://m.fontke.com/article/2841/

英文字体故事及推荐

看上去那普通的字体，背后有着那么多的故事。都是些自己经常用到的，整理出来和大家分享，也给大家推荐。给没有一个字体都配了相应的图像，结果每一个字都清楚的传达出独特的个性。设计的魅力吧。大家可以下载附件，我打包好了给大家。不过仅供个人学习。

https://m.fontke.com/article/24267/

Type]Media Up The Ante With 2013 Website

We've had the great Flickr Set by Slávka Pauliková – designer of

https://m.fontke.com/article/12566/

ScreenFonts: Stoker, Dead Man Down, The Incredible Burt Wonderstone, Tyler Perry's Temptation, Wrong

Don't you hate it when after you've finished something you discov

https://m.fontke.com/article/11597/

奥托·艾舍（Otl Aicher）：一段故事

Speak Up 的作者 Armin Vit 与同仁在写一本名叫《Graphic Design Referenced》的书。下文为

https://m.fontke.com/article/2483/

The Story of Our Friend, the Fat Face

Early 19th-century advertising handbill from the John Soulby coll

https://m.fontke.com/article/14430/