字体家族: OptimaNovaLTPro-Demi
字体风格:
字体版本: Version 1.200;PS 001.002;hotconv 1.0.38;com.myfonts.linotype.optima-nova-lt.pro-demi.wfkit2.48yD
书体类型:
字符数: 584
字形数: 588
字重:
字宽:
文字:
区块:
来源类型:
文件格式:
授权方式: 字客网标注的授权方式仅供参考请自行核实,商业使用请自行联系版权方购买商业授权。
字体嵌入许可:
字体公司:
字体设计师:
版权信息: Copyright © 2003 - 2008 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Optima is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. This typeface is original artwork of Hermann Zapf and Akira Kobayashi. The design may be protected in certain jurisdictions.
字体家族名称: OptimaNovaLTPro-Demi
字体子家族名称:
统一字体标识: com.myfonts.linotype.optima-nova-lt.pro-demi.wfkit2.48yD
字体全名: ☞OptimaNovaLTPro-Demi
版本: Version 1.200;PS 001.002;hotconv 1.0.38;com.myfonts.linotype.optima-nova-lt.pro-demi.wfkit2.48yD
PostScript名称: OptimaNovaLTPro-Demi
商标信息: Optima is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
制造商信息: Linotype GmbH
设计师: Hermann Zapf and Akira Kobayashi
描述: Optima was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first scetches while visiting the Santa Croce church in Florence. He sketched letters from grave plates that had been cut about 1530, and as he had no other paper with him at the time, the sketches were done on two 1000 lire bank notes. These letters from the floor of the church inspired Optima, a typeface that is classically roman in proportion and character, but without serifs. The letterforms were designed in the proportions of the Golden Ratio. In 1952, after careful legibility testing, the first drawings were finished. The type was cut by the famous punchcutter August Rosenberger at the D. Stempel AG typefoundry in Frankfurt. Optima was produced in matrices for the Linotype typesetting machines and released in 1958. With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, this family has proved popular around the world. In 2002, when it was finally possible to produce digital alphabets without technical limitations and compromises, and more than 50 years after the first sketches, an expansion and redesign of the Optima family was completed and released as Optima nova. Hermann Zapf and Japanese type designer Akira Kobayashi collaborated on the project, which included re-working of the existing weights and the addition of several new weights for a total of 40 fonts. Small caps, Old style Figures, light, heavy, and condensed fonts have been added. The original Optima was never manufactured with a real italic, only an oblique version of the roman. Optima nova has a complete range of beautifully designed real italics; the new italic forms, of the e, f and g are especially notable. The titling face includes capital letters with special and unusual letter combinations and ligatures, making it an excellent choice for headlines, logos and advertising purposes. Optima continues to be an all-purpose typeface; and Optima nova works for just about anything from book text to signage. Optima nova is part of the Linotype Platinum Collection.
供应商网址: http://www.linotype.com
设计师网址: http://www.linotype.com/fontdesigners
每em像素单位:: 1000
垂直最小值: -274
垂直最大值: 965
水平最小值: -223
水平最大值: 1092
Mac风格: 1
最小可读像素大小: 8
字体方向Hint: 2
升部: 734
降部: -266
行间距: 244
最大步进宽度: 1136
最小左跨距: -223
最小右跨距: -206
非复合字形最大点: 0
非复合字形最大轮廓: 0
字重类型: 400
字宽类型: 5
上标水平字体大小: 650
上标垂直字体大小: 600
上标水平偏移: 0
上标垂直偏移: 75
下标水平字体大小: 700
下标垂直字体大小: 650
下标水平偏移: 0
下标垂直偏移: 477
删除线大小: 50
删除线位置: 280
字体选择标识: 32
字体排印升部: 734
字体排印降部: -266
字体排印行间距: 244
Windows升部: 948
Windows降部: 296
斜角: 0
下划线位置: -75
下划线厚度: 50